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“La Belle Noiseuse” (Jacques Rivette, 1991) Jacques Rivette’s four-hour masterpiece about the act of artistic creation turns the male gaze back on itself. True, it’s hard to think of the actress who’s needed to be naked onscreen for your longer period of time in one movie than Emmanuelle Beart is in this a single.
We get it -- there's quite a bit movies in that "Suggested For You" section of your streaming queue, but How can you sift through all of the straight-to-DVD white gay rom coms starring D-list celebs to find something of true substance?
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Other fissures arise along the family’s fault lines from there because the legends and superstitions of their past once again become as viscerally powerful and alive as their hard love for each other. —RD
The climactic hovercraft chase is up there with the ’90s best action setpieces, and the end credits gag reel (which mines “Jackass”-degree laughs from the stunt where Chan demolished his right leg) is still a jaw-dropping example of what Chan place himself through for our amusement. He wanted to entertain the entire planet, and after “Rumble within the Bronx” there was no turning back. —DE
We are able to never be sure who’s who in this film, and whether the blood on their hands is real or maybe a diabolical trick. That being said, a single thing about “Lost Highway” is totally fixed: This is definitely the Lynch movie that’s the most of its time. Not in a bad way, of course, though the film just screams
“He exists now only in my memory,” Rose said of Jack before sharing her story with Invoice Paxton (RIP) and his crew; with the time she reached the tip of it, the late Mr. Dawson would be remembered through the entire world. —DE
Nobody knows specifically when Stanley Kubrick first go through Arthur Schnitzler’s 1926 “Traumnovelle” (did Kubrick find it in his father’s library sometime inside the nineteen forties, or did Kirk Douglas’ psychiatrist give it to him about the set of “Spartacus,” as the actor elsa jean once claimed?), but what is known for sure is that Kubrick experienced been actively trying to adapt it for at least 26 years from the time “Eyes Wide Shut” began principal production in November 1996, and that he endured a lethal heart attack just two days after screening his youjiz near-final cut for your film’s stars and executives in March 1999.
Just one night, the good Dr. Invoice Harford may be the same toothy and assured Tom Cruise who’d become the face of Hollywood itself in the ’90s. The next, he’s fighting back flop sweat as he gets lost from the liminal spaces that he used to stride porn sexy video right through; the liminal spaces between yesterday and tomorrow, public decorum and private decadence, affluent social-climbers as well as sinister ultra-rich they serve (masters in the universe who’ve fetishized their role in our plutocracy on the point where they can’t even throw an easy orgy without turning it into a semi-ridiculous “Snooze No More,” or get themselves off without putting the concern of God into an uninvited guest).
Mahamat-Saleh Haroun is one of Africa’s greatest living filmmakers, and while he sets nearly all his films in his indigenous Chad, a handful of others look at Africans having difficulties in France, where he has settled for most of his adult life.
Annoyed by the interminable post-production of “Ashes of Time” and itching to acquire out on the editing room, Wong Kar-wai hit the streets of Hong Kong and — in a very blitz of pent-up creativity — slapped together one of several most earth-shaking films of its decade in less than two months.
More than just a breakneck look inside the porn business as it struggled cfnm to have over the hump of home video, “Boogie Nights” is often a story about a magical valley of misfit toys — action figures, being specific. All of these horny weirdos have been cast out from their families, all of them are looking for surrogate relatives, and all of them have followed the American Dream to the same ridiculous place.
The Palme d’Or winner www xxxcom has become such an recognized classic, such a part with the canon that we forget how radical it had been in 1994: a work of such style and slickness it received over even the Academy, earning seven Oscar nominations… for a movie featuring loving monologues about fast food, “Kung Fu,” and Christopher Walken keeping a beloved heirloom watch up his ass.
David Cronenberg adapting a J.G. Ballard novel about people who get turned on by vehicle crashes was bound to generally be provocative. “Crash” transcends the label, grinning in perverse delight as it sticks its fingers into a gaping wound. Something similar happens while in the backseat of an automobile in this movie, just one particular during the cavalcade of perversions enacted with the film’s cast of pansexual risk-takers.